Brooklyn Band Has “Nothing Left To Lose” On Brilliant “Rockwood Live” Debut

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It seems like almost every time I travel to Brooklyn, I discover something new to add to the realm of my musical depth. And more often than not, it seems to be the borough’s knack for so-called “Brooklyn country music”.

First it was The Lone Bellow back in 2013 (as I wrote about on this blog), then back in March of this year it was the discovery of up and coming talent Lindsey Luff during a night at Rockwood Music Hall. And while I spoke quite fondly of Luff and her EP Real Gone for a video on Youtube, that wasn’t the only group I witnessed that night that happened to leave one hell of an impression behind.

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Enter Barefoot & Bankside. Led by the heavenly serpentine twine of vocalists Amanda Simpson Neill and Jamey Hamm as well as the laser sharp orchestration of guitarist Dylan Sneed, the BK-based sextet rattled Rockwood down to the stones and plaster with a beautifully wearied blend of alt-rock, country, gospel and folk-based jams. Every note seemed to electrify the confines of that little room, and the effect was only buoyed by the intensity of both Neill’s blissful croon and Hamm’s jagged growl.

Luckily B&B happened to be recording that night’s standout set for the purpose of releasing a live EP, and as a result here we now have their debut recording. AKA, Rockwood Live.  

Now I’ve already mentioned the band’s blending of influences, but it takes sitting down and carefully listening to these performances to truly understand just how deftly crafted they are. Where at one moment you might expect a folk/bluegrass band with banjo in hand comes the roughshod rock of opening track “Fall In Line”, a toe-tapping shot of lovingly bitter “Kerosene”, and the smoldering burn of the passionate “War For Your Soul”.10928204_431622000335157_7404922844955774366_nLyrically the band embraces their country notes with Gram Parsons-esque odes to lost love (“Nothin’ Left To Lose”), gospel overtones as buried in the blues as Robert Johnson running from the hellhound (“Pocket Change”), and the pure essence of love buried in human nature (“Hold On Love”). Add songs that are as captivating as they are earwormingly catchy to Neill’s musical chemistry with Hamm and Sneed, and you have a dance worthy of Gram and Emmylou themselves. Or at the very least somewhere at the crossroads of Melissa Ethridge and American Aquarium’s BJ Barham.

Either way, Rockwood Live ranks quite easily as one of the best pieces of music from an up and coming band that I’ve heard in quite some time. “Brooklyn country music” or otherwise. And while it is a debut only promising a hint of what Barefoot & Bankside has to offer, you need to go immediately and see them live if you happen to be in the same neck of the woods.

Just to say, “I saw them when”. This recording will be sure to convince you of that fact.

(Rockwood Live is available on bandcamp.com. Just search Barefoot & Bankside and download the fun that awaits!)

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