So we’re getting ever closer to wrapping up 2017, but first we welcome in the night where the guy with the red suit and all the reindeer has the world’s children in baited breath waiting for the 25th to come.
Of course, once you get to be an adult you realize there’s a lot more to it than that, but I think the best thing we can hope for is that when the meals are made and the people are together that it was worth the trip. And if I can pass along any advice when it comes to wandering through that minefield of decisions, its this: always make the days this time of year as worthwhile as you can. We only get so many, and with it being a very uncertain time in the world these days I think its all the more critical to appreciate everything that’s important to you.
Because you deserve it. Yes, you reading this. Just be sure to pay it forward where you can too, cause that… that feels pretty nice.
But anyway, because this is a music site lets get back on topic and wrap up a few quick notes as we start to think about a new year.
- Coming up next week, I’m very much looking forward to posting a music-themed collaboration from my day job on the radio that ties perfectly into something I like doing to close up a year in music. There’ll be five installments starting the day after Christmas, and I’ll explain more when it launches!
- I’ve got a couple of really special reviews coming up soon as we transition to 2018. Both are still just a work in progress right now but there’s gonna be a lot of great elements as well as another audio interview in the mix. Everything is certainly subject to change, but I hope to get those out as I envision in my mind.
- And as ever, I’m hoping to post here as much as I can and get out content every chance possible as we get into 2018, but I still don’t see a point coming where I can be consistent right now. Just a lot of busy going on everywhere, but regardless its going to be a lot of fun to chime in as much as I can!
Now lastly, while I could close this post by recommending Christmas-themed music choices ranging from Bruce Springsteen doing “Merry Christmas Baby” to John Lennon singing “Merry Xmas (War Is Over)”, I’m going to go with something a bit more recent. New York City product Megan Talay won a lot of praise from me this year for the snarling Joan Jett girl-rock sound of her latest EP, and with that formula in mind she went in the studio and recorded an original Christmas song that fits the mold just as well.
Now this is a song with a few curse words, so I will preface it with the NSFW label. But otherwise, get ready to dig in here.
And happy holidays everyone!
So as you may have noticed, my presence here on this website has been minimal at best for a bit now. And while I hope to slowly change that over time, a big reason for this has been a greater launch of my life into the world of radio as a news reporter and broadcaster.
Its led to a lot of great opportunities to both hone and enhance my skills (which I hope to start utilizing here soon enough). What it has also done is allow me to have a greater realm of access to recording equipment and new things I can bring to On The Back Edge of the Beat.
So lets start with this new segment, which I’m calling The Interview Series! Much like the pieces I’ve done here in the past, the focus will still be on the music of underground and indie musicians. In this case though, we’ll be personally discussing their craft, new music, background, and most other notable stuff under the musical sun.
For this first volume I had the privilege of interviewing the lovely Talay. Her recent self-titled EP has been a big hit in my earbuds and car radio, so when the chance came to snag her for a phone interview I was understandably pretty excited. Having already reviewed her EP (which you can read here), I was glad we could dish out more on the new music, Talay’s writing process, what’s on deck for her next EP and a whole hell of a lot more.
Enjoy and stay tuned for more of these in the future!
Break out your headphones or roll down your windows, because one of the most anthem-filled EPs of 2017 has arrived.
And its made its way to the world in the form of Megan Talay’s 2nd album, simply entitled Talay. If that (self-titled) album title is meant to indicate a greater ownership of the sound of these songs, it leaves one hell of an impression burning in its embers.
While Talay’s debut Piece By Piece was certainly a strong beginning start, it was more of a creamy Ani DeFranco center surrounded by an acoustic coating. Talay instead rips up that formula and replaces it with spastic electric guitars, brilliantly cutting, lip curled like a punk rock heroine lyrics, and a sense of constant crowd-surfing spirit thats more than worth a few stage dives.
Talay is essentially the all night party living next door to a rave. Even the initially-drifting “I Hope Your Band Goes Nowhere” groundswells into a belting riff-roaring growl of taunting defiance against a douchebag ex-boyfriend (maybe the same charming percussionist from prior romper “Drummer of the Band”). The album fluently demonstrates Talay’s proficiency for early to well into the-2000’s pop rock, embodying the guitars of Prince’s final all female band 3rdeyegirl and the vocal twistings of a revival straight out of Josie & The Pussycats or The Runaways.
Talay manages to channel the heart and earworm choruses of those girl power outlets into one of the best rock EPs of the last several years. And not because it requires the technical proficiency of a Fleet Foxes album being reviewed by Pitchfork. Music is not a complex animal that requires a thesis statement.
Sometimes, the best music is all about feel. And Talay has it all the way to her “Parent’s House” and back again.
Songs To Download: “Parent’s House”, “I Hope Your Band Goes Nowhere”, “City”
Listen Here: http://www.talay.bandcamp.com
I was first introduced to Megan Talay’s music over a year ago when her Piece By Piece EP landed directly in my lap courtesy of Megan herself. The New York City-area singer-songwriter immediately had all the earmarks of well-honed acoustic pop with a hearty dosage of capable songwriting to back it up.
And while I was a big fan of Piece by Piece at the time, there was a part of me that was looking to see more from Megan. Like that wasn’t the entire picture fully formed just yet. And eventually I began to see more the more I followed her work, though what eventually riveted me the most was anytime Talay touched an electric guitar. Whether it was jamming out to Prince or punk, the girl had some serious shred skills that didn’t quite manifest themselves on the quieter songs. I began to listen for more Joan Jett instead of Ani DeFranco.
Then along comes Parents’ House, Talay’s latest single and what feels like a wish granted. Inside are plenty of well-muscled electric guitar workouts bumping and grinding off one another in what feels like a bounce house battle between Weezer, Green Day and prime Avril Lavigne with just a dash of No Doubt-era Gwen Stefani. From a lyrical perspective Parents’ House feels straight out of the River Cuomos section of tongue-in-cheek with its nod to the struggle of the average millennial still living at home with their parents. I know I had to nod along with more than a few of the comparisons, and even though living at home is quite common these days I felt like it was a genius topic for a song that’s SO easily relatable.
Parents’ House is not only an addictive party banger of a song, it has hooks for miles in a Buddy Holly-esque runtime of righteous girl power that will feel over before it even begins. In a time of so much serious, this is pure unadulterated happy and we need that not only for rock n roll’s sake, but for the sake of our sanity as well.
Go pick this one up. You will NOT regret it.
Listen to the new track below!