Video Exclusive: unwrapping Kohli Calhoun’s “Zebedee”

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Over the last several years that I’ve spent writing about music, I can easily say that I’ve had good fortune come my way with the artists that I’ve had the pleasure of getting to know and work alongside.

But this collaboration is something entirely new. What I have for you today has never before seen on OTBEOTB. In fact, it hasn’t been seen at all because this post is introducing the exclusive music video premiere for Brooklyn-area artist Kohli Calhoun and her song “Zebedee”.

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If you’ve read some of my prior content here you’ll certainly already know who Calhoun is, but if you don’t here’s a quick synopsis. As I said before, Calhoun is based out of Brooklyn, and after an tumultuous beginning to her musical career she “rose from the ashes” so to speak in order to create her first full length LP Take Me Away. The record came out earlier this year, and has already received favorable press from the likes of the Huffington Post as well as Calhoun’s recent selection as a Featured Artist on the website Noisetrade.

But that’s not why ya called. Today I want to discuss the aforementioned “Zebedee”, a melodic haunt of a track from Calhoun’s Take Me Away that seems like an apt choice for the music video treatment. And that expectation is well-placed as the video explores the song’s themes of love, loss, betrayal, and sadness through the eyes of a beautifully illustrated world of animation that gracefully illuminates the differences. I could easily speculate about the meaning behind many of the small details of note in this video, but that I leave to you as a fellow member of the audience to interpret for yourselves.

Suffice it to say, the visuals on this video are a stunningly creative complement between Calhoun and her collaborators to one of the strongest tracks on Take Me Away. Its work like this that makes the world of music videos a relevant place again, and we’re truly the better with the level of depth this visual context can provide.

So on that note, let me step aside and have you enjoy the music video for “Zebedee”, brought to you exclusively by On The Back Edge of the Beat.

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Calhoun raises haunting “Phantom” into life

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To my recent memory, few musicians have truly captured the spirit of ethereally drawn emotional agony quite as close to the bone as indie songstress Kohli Calhoun.

Calhoun had already snagged my interest earlier this year with her prior single “Take Me Away” and its ability to ruminate on profound emotional discomfort with a Regina Spektor knack for wrapping it in brightly fragile pop. Her latest single “Phantom” takes that concept and walks off down a dark hallway full of whispers with it. The feeling is still familiar, but now its filled with a greater desperation of yearning vocals, swirling synths, heartbeat taps and an ominous tape player slink worthy of a St Vincent track.

The video for “Phantom” brings that internal dissonant chaos to visceral life in the form of a woman moving through a forest with a primal, almost seizured level of intensity. It boils the song down to emotion rather than wordplay, which is where “Phantom” seems truly meant to thrive the most.

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If Calhoun’s latest line of music continues to explore the depths of this musical headspace, I look forward to seeing where the rollercoaster of her thought will bend to next. The journey certainly won’t be an easy one, but it is a rare gift on Calhoun’s part not to just sing but to sing with her whole heart poured into every note.

“Phantom” doesn’t just stand out because its a strong single. It stands out because its almost uneasily direct in how it expresses itself. Not because its a Whitney Houston ballad from The Bodyguard and this moment called for something sad. Rather, it breaks down the finer details of what makes that sadness exist in the first place.

And in some way that imperfection, is sometimes the most perfect thing to hear.

Grade: A

For more: Visit kohlicalhounmusic.com

Calhoun “Takes Me Away” In A Storm of Ethereal Uplift

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Kohli Calhoun is on the cusp of hard-fought creative perseverance. With debut album Take Me Away on the horizon and a single of the same name already born into the world, one might imagine Calhoun as a fresh face ready to artistically blossom. But while those seeds are indeed set and in place, the last eight years have been something more equivalent to a Spartan without the spear for the Brooklyn-based musician.

Initially expected to release her first batch of music in 2008, frustrations with a producer left Calhoun album-less and bounced out of music. Left as a castaway burned by a downward twist of fate, she contemplated never coming back after such a setback. But, like a chapter unfinished and a verse left undone…. the art never truly stops. It merely waits for the writer to recapture their flame once the time is right again.

And so the bug returned for Calhoun (along with a helping hand from the Brooklyn musical community), and by 2014 she had begun writing for what would become the Take Me Away sessions. A journey, at last fulfilled.

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Perhaps it’s the power of Calhoun’s artistic sensibilities as a songwriter or just those past experiences still looming raw, but this initially released single makes the strong emotions of her personal Dark Age seem as fragile as though they were yesterday. The first notes ring with the innocence of an arpeggio-ed lullaby, quickly turning to an effervescent confessional comparative to a more ragged St Vincent or Regina Spektor at her most breathlessly world-weary.

Calhoun can literally bring the motions of this song up to an angelic procession before plunging down to little more than a single vocal right on the cusp of cracking. Right on the fringe of falling apart. Drowning in the gentle drone of a synthesizer. It’s just the right mix of technology and fragility that brings to the mind the indie masterpiece of Wilco’s Yankee Hotel Foxtrot. A modernistic art piece that still knows how to breathe on the weight of it’s impassioned human lungs.

And ultimately it’s that level of humanity that makes this track sparkle as much as it does. The notion that yes we may not know the reason why Calhoun sings so starkly of this emotional weight, but we can still understand her need to escape it. Her need to move by the demons biting just outside the periphery.

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Being able to relate to others is one of the most human qualities we have. And when it comes to Calhoun, I’m ready to be taken away to the land this song promises. Let it be a journey we can all gladly take together.

Listen here:

http://www.imposemagazine.com/bytes/new-music/kohli-calhoun-take-me-away

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