Owen-Glass Captures Acoustic Magic on “So American” Video

Today it’s my pleasure to release the premiere of “So American”, a brand new music video from the band Owen-Glass. This is a cover the group did of a song originally written and performed by Portugal. The Man off their 2011 album In The Mountain In The Cloud.

Portugal’s version is a bouncy, psychedelic joy-rave somewhere between The Flaming Lips “Do You Realize?” and The Kinks. But while Owen-Glass’ take may enter the starting gate acoustically similar to the original, it proceeds to lean away from building up and chooses instead to embrace a more bare-boned folk edge.

The video takes hold of a similar strategy as there are a few mixing visuals of the band, but nothing that takes away from the mood and strength of the performance. The upfront intimacy of the moment feels very much like an installment of NPR’s “Tiny Desk” series, which further lays vulnerable “So American” and its lyrical critiques of hypocrisy and dysfunction in these United States.

For a song that debuted in 2011, those themes almost feel more relevant from where we sit today in 2019. But without any further insight from me here’s the video from “So American”, as well as a quote from Owen-Glass singer-songwriter Kelly Wayne Conley on why they chose to cover the track.

“We wanted to sort of pay tribute to some of the songwriters and bands that had a major impact on us, and John Gourley was an obvious standout. Portugal. The Man’s story is really special to us, because we followed them from the very beginning and now, after more than a decade of grinding on the road, promoting real, soulful art, those guys have finally gotten their due.

It’s a testament to the demand that still exists for real music, y’know. Like, these are artists in a universal sense, practicing their craft—using real instruments and building out cohesive projects that have a clear, artistic message by and for the common man.”We chose ‘So American’ because it really fits with who we are as a band, and we feel like it translates well in our sort of folky Americana style…

The message in ‘So American’ cuts right to the core of the culture we grew up in—seeing everything—politics, religion, whatever—through this American lens, and all of John’s songs pushed us to view the world differently and find a new level of empathy and even affected our spiritual awareness in those formative adolescent years. That’s not something you get from just any song by just any band. It’s really a special thing. I guess, in a way, our performing this song is our way of saying thank you to John, Zach and the rest of the guys for enriching our lives with their art.”-Kelly Wayne Conley

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The Inoculated Canaries “Who Are You” A Crunchy Good Time

The Inoculated Canaries are a four-piece rock outfit from New York City with influences they describe as including Led Zeppelin, Nirvana, The Black Keys and Pink Floyd. That Whitman’s Sampler of artists is certainly on prominent parade in the group’s straight up, grass-fed approach to the rock-n-roll realm’s thumping beats and six-string gymnastics. And I found the same to be true with the music we’re talking about next.

As I listened to TIC’s recently-released single “Who Are You?”, I found my mind drifting to that crossover cocktail mixture of famous bands and melodies I mentioned a moment ago. The Nirvana aspect jumped out particularly hard in the case of this track. Not because “Who Are You?” embraces its grunge roots so much as its gleeful joy as an energetic 90’s alt-rock sendup. Sublime’s “Jumper” also came to me in traversing the song’s opening strums, which adds to the single’s overall level of ear-worming foot-tap.

Lead vocalist Mike Rublin adds to that effect with a vocal tone somewhere between Sublime’s Bradley Nowell and the gentle hiss of the Smashing Pumpkins Billy Corgan. That’s a compliment both to the riff-ripping enthusiasm of the era and TIC’s adaptation of it. Because in the end no matter the bands you listen to or emulate its about making the work your own signature in the world, and that’s the case here. “Who Are You?” joyfully chews at the scenery in its lyrical search for identity, while simultaneously not taking itself too seriously in the pursuit of a group growing in its sound.

You can also check out the band at theinoculatedcanaries.com!

Wyld hits the right notes on sweet summertime glow of “Child”

I’ve been freelancing as a music writer for a few years now, and I still consider one of my greatest gold medal achievements to be the connections I’ve made to New York City’s area music scene. I’m sure I’m said this in one form or another before in my writings, but here it is again. Some of the biggest city crossovers of mine have coincided within very significant parts of my life that really defined the person I’ve become and the art I’ve created since. There’s a beautifully-lit, urban imagery to it all I deeply appreciate whenever I get the chance to look back on it all. Plenty of nostalgic tones, sunrises, and late-night hero orders in that paint box.

I found that same fond imagery coming to mind watching the music video for my latest connection on that New York City map, Brooklyn-area singer-songwriter Elizabeth Wyld. Look no further than the opening shot of the iconic city skyline in “Child”, or the lyrics’ initial mentions of Christopher Street and signature yellow cabs. Though looking beyond that, I’d say the greatest ode to this city in both song and video lies in it’s romantic heart.

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“Child” is a sweetly shiny, folk-pop foot tapper that relays one of the oldest and most relatable feelings in humanity: navigating/risking the vulnerabilities of falling in love. It can happen as fast as a shock to the system and hit twice as hard, especially in that first moment’s “spark” that feels like your insides are doing caffeinated backflips. I equate the feeling to… jumping into an ice cold pool instead of dipping a toe in on a hot summer day. But as anxiety-provoking as the thought of such a crash is, when that feeling’s right… you just sense it in your bones and welcome it with a smile. And I felt this whole course of thought spill out just giving this song a few listens… again, good memories brought to mind by the presence of good art.

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Plus, the music video for this song fills in the illustrations of the lyrics beautifully. It does so in a way that reminds me of the useful narrative power music videos still have in even in a post-MTV and TRL era. I think that’s mostly due to the performances of Wyld and Dana DePirri, who exude the type of natural, bright-eyed chemistry that makes the “thrift store cardigan” romance of this song authentically movie-sweet. Not in the plastic, Hollywood way that feels more substance than stereotype. Rather, in the type of way that goes to show the sort of stylized gloss I think we all put on that initial relationship ember that makes our brain chemistry’s electricity crackle. It’s an endorphin rush, and this video really puts it in the moment.

To do that so naturally, puts a smile on my face every time. Go drive with the windows down, the sunshine on, and take in this song’s ambiance.

You can check out Elizabeth’s music at her website http://elizabethwyld.com/

 

 

 

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