“Atlanta” gives 2018 the right side of folk rock kick

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As we wind down March and meander into April, it seems like a biennial rite of spring to hear new music fresh off the grapevine in 2018 from New York City troubadour Stephen Babcock. His prior album Said & Done was a fresh favorite of mine and a hot topic on this site at about this time in 2016. Now, two years later Babcock’s preparing followup EP Fiction, due out April 6th.

And while my first thought is its been two years already? What’s really important here is the song. On one hand, “Atlanta” continues the best qualities of Babcock’s well-crafted songwriting. Though in this case, it feels as though it hones in more on the Ryan Adams Gold-era as opposed to John Mayer’s Room For Squares. You can sense the growth in Babcock’s craft since Said & Done, tinkering and getting his weapons sharper. The instruments feel thicker here, with variations and new inclusions that show promise for the entire album’s direction. While the rest of the track hooks with the charm of a foot-tapping Southern ladykiller.

If the reason for our slow start to Spring has been because we don’t have enough 2018 summer driving songs to warm things up, lets start with “Atlanta”. That Jason Isbell-y sounding guitar hum that kicks towards the end is worth the miles alone.

Check out “Atlanta” over on Spotify, and Stephen Babcock online at stephenbabockmusic.com! 

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Talay brings alt-punk jamfest to “Parents’ House”

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I was first introduced to Megan Talay’s music over a year ago when her Piece By Piece EP landed directly in my lap courtesy of Megan herself. The New York City-area singer-songwriter immediately had all the earmarks of well-honed acoustic pop with a hearty dosage of capable songwriting to back it up.

And while I was a big fan of Piece by Piece at the time, there was a part of me that was looking to see more from Megan. Like that wasn’t the entire picture fully formed just yet. And eventually I began to see more the more I followed her work, though what eventually riveted me the most was anytime Talay touched an electric guitar. Whether it was jamming out to Prince or punk, the girl had some serious shred skills that didn’t quite manifest themselves on the quieter songs. I began to listen for more Joan Jett instead of Ani DeFranco.

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Then along comes Parents’ House, Talay’s latest single and what feels like a wish granted. Inside are plenty of well-muscled electric guitar workouts bumping and grinding off one another in what feels like a bounce house battle between Weezer, Green Day and prime Avril Lavigne with just a dash of No Doubt-era Gwen Stefani. From a lyrical perspective Parents’ House feels straight out of the River Cuomos section of tongue-in-cheek with its nod to the struggle of the average millennial still living at home with their parents. I know I had to nod along with more than a few of the comparisons, and even though living at home is quite common these days I felt like it was a genius topic for a song that’s SO easily relatable.

Parents’ House is not only an addictive party banger of a song, it has hooks for miles in a Buddy Holly-esque runtime of righteous girl power that will feel over before it even begins. In a time of so much serious, this is pure unadulterated happy and we need that not only for rock n roll’s sake, but for the sake of our sanity as well.

Go pick this one up. You will NOT regret it.

Grade: A

Listen to the new track below!

https://myspace.com/article/2017/3/7/talay-parents-house-premiere

Calhoun “Takes Me Away” In A Storm of Ethereal Uplift

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Kohli Calhoun is on the cusp of hard-fought creative perseverance. With debut album Take Me Away on the horizon and a single of the same name already born into the world, one might imagine Calhoun as a fresh face ready to artistically blossom. But while those seeds are indeed set and in place, the last eight years have been something more equivalent to a Spartan without the spear for the Brooklyn-based musician.

Initially expected to release her first batch of music in 2008, frustrations with a producer left Calhoun album-less and bounced out of music. Left as a castaway burned by a downward twist of fate, she contemplated never coming back after such a setback. But, like a chapter unfinished and a verse left undone…. the art never truly stops. It merely waits for the writer to recapture their flame once the time is right again.

And so the bug returned for Calhoun (along with a helping hand from the Brooklyn musical community), and by 2014 she had begun writing for what would become the Take Me Away sessions. A journey, at last fulfilled.

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Perhaps it’s the power of Calhoun’s artistic sensibilities as a songwriter or just those past experiences still looming raw, but this initially released single makes the strong emotions of her personal Dark Age seem as fragile as though they were yesterday. The first notes ring with the innocence of an arpeggio-ed lullaby, quickly turning to an effervescent confessional comparative to a more ragged St Vincent or Regina Spektor at her most breathlessly world-weary.

Calhoun can literally bring the motions of this song up to an angelic procession before plunging down to little more than a single vocal right on the cusp of cracking. Right on the fringe of falling apart. Drowning in the gentle drone of a synthesizer. It’s just the right mix of technology and fragility that brings to the mind the indie masterpiece of Wilco’s Yankee Hotel Foxtrot. A modernistic art piece that still knows how to breathe on the weight of it’s impassioned human lungs.

And ultimately it’s that level of humanity that makes this track sparkle as much as it does. The notion that yes we may not know the reason why Calhoun sings so starkly of this emotional weight, but we can still understand her need to escape it. Her need to move by the demons biting just outside the periphery.

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Being able to relate to others is one of the most human qualities we have. And when it comes to Calhoun, I’m ready to be taken away to the land this song promises. Let it be a journey we can all gladly take together.

Listen here:

http://www.imposemagazine.com/bytes/new-music/kohli-calhoun-take-me-away