Eliza and the Organix present funky-fresh bop on “Road Home” video

Eliza and the Organix is, to quote their website, “a funky female-fronted rock band based in Brooklyn centered around the songwriting of vocalist and guitarist Eliza Waldman”. And today marks the release date of their new music video for the song “Road Home”, which you can take a peek at down below.

The very first thing that draws my interest in this music video is the slap of the car’s wiper blades in the opening scene. A minor detail in the scheme of things, but the that initial, almost metronome-like groove acts like a neat little slide into the ear-worming drum rhythm that buoys this song forward. “Road Home” is a tight, fun bounce of a single that uses plenty of synonyms from the funk handbook. That guiding beat’s soon paired with a slinking guitar line, Waldman’s bluesy vocal, and a pacing horn backdrop that altogether bends the line between jazz and punkish Pavement rock-pogo. This fluctuating tempo creates a layer of tension well-illustrated by the music video, in which our main character (played by Waldman herself) is on the run from deer/panda-headed representations of… time’s ceaseless pursuit? The anxiety of life’s constant obligations? Some combo of both perhaps?

A very serious set of questions to consider. The ending in either case represents inevitability. “I don’t know the road you’re on, I don’t know how much time is gone, how much remains?”, Waldman croons in a well-honed echo of the quiet desperation we have for one of existence’s biggest questions.

But this song doesn’t just spend time mired in its thoughts. If anything it considers those philosophies and decides to greet them with a sly smile and the timeless joy and abandon trademarked in the shape of rock and roll.

Both a song and a video worth keeping in your playlist!

Check out the band at elizaandtheorganix.com!

Wyld hits the right notes on sweet summertime glow of “Child”

I’ve been freelancing as a music writer for a few years now, and I still consider one of my greatest gold medal achievements to be the connections I’ve made to New York City’s area music scene. I’m sure I’m said this in one form or another before in my writings, but here it is again. Some of the biggest city crossovers of mine have coincided within very significant parts of my life that really defined the person I’ve become and the art I’ve created since. There’s a beautifully-lit, urban imagery to it all I deeply appreciate whenever I get the chance to look back on it all. Plenty of nostalgic tones, sunrises, and late-night hero orders in that paint box.

I found that same fond imagery coming to mind watching the music video for my latest connection on that New York City map, Brooklyn-area singer-songwriter Elizabeth Wyld. Look no further than the opening shot of the iconic city skyline in “Child”, or the lyrics’ initial mentions of Christopher Street and signature yellow cabs. Though looking beyond that, I’d say the greatest ode to this city in both song and video lies in it’s romantic heart.

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“Child” is a sweetly shiny, folk-pop foot tapper that relays one of the oldest and most relatable feelings in humanity: navigating/risking the vulnerabilities of falling in love. It can happen as fast as a shock to the system and hit twice as hard, especially in that first moment’s “spark” that feels like your insides are doing caffeinated backflips. I equate the feeling to… jumping into an ice cold pool instead of dipping a toe in on a hot summer day. But as anxiety-provoking as the thought of such a crash is, when that feeling’s right… you just sense it in your bones and welcome it with a smile. And I felt this whole course of thought spill out just giving this song a few listens… again, good memories brought to mind by the presence of good art.

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Plus, the music video for this song fills in the illustrations of the lyrics beautifully. It does so in a way that reminds me of the useful narrative power music videos still have in even in a post-MTV and TRL era. I think that’s mostly due to the performances of Wyld and Dana DePirri, who exude the type of natural, bright-eyed chemistry that makes the “thrift store cardigan” romance of this song authentically movie-sweet. Not in the plastic, Hollywood way that feels more substance than stereotype. Rather, in the type of way that goes to show the sort of stylized gloss I think we all put on that initial relationship ember that makes our brain chemistry’s electricity crackle. It’s an endorphin rush, and this video really puts it in the moment.

To do that so naturally, puts a smile on my face every time. Go drive with the windows down, the sunshine on, and take in this song’s ambiance.

You can check out Elizabeth’s music at her website http://elizabethwyld.com/

 

 

 

Talay Shows Folk-Pop “Underside” On Brilliant “Piece By Piece” Debut

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It’s now the first week or two of autumn as I write this, and the changing of the seasons always manages to put me into a contemplative frame of mind. The leaves haven’t quite started to fall completely yet, but the nights are colder, the sunlight doesn’t last as long, and the world here gradually starts to burrow itself away piece by piece in preparation for what’s to come.

As I find myself starting to burrow with it, I think it’s appropriate that Megan Talay’s EP Piece By Piece should land in my lap as the soundtrack to accompany the changes. Talay is another New York City-area songwriter, but unlike the country/folk blending of my prior NYC subjects Ivy, Beck and Neill, she takes that folk and puts it through a blender of sweetly blissful pop, delicately intricate acoustic guitar, and a hook-laden feast of songwriting craftsmanship.

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Piece By Piece is an often laid back slice of an EP, yet still doesn’t waste a moment snagging attention starting with lead single “Underside” and it’s driving foot-tap of a rhythm. Talay is a versatile mix of Ani DeFranco and Brandi Carlile on the track, nimbly thumbing through a list of concealed emotional turmoils before raising a fist and letting a wave of catharsis wash over as a tide of frustration made fury. It’s an immediately relatable moment to anyone who’s ever been an expert at the art of bottling up the world, and Talay’s voice rings true in your ear as someone saying it’s okay…. I’ve been there too.

It’s in that role of relatable narrator and lyricist that Talay finds her greatest footing on this record, whether it’s in the role of a person overcoming the uncertainties of love and life on “Light The Way” and the cinematically-tinged title track, or holding up lighthearted like flowers toward the sunshine on optimistic closing song “Just Fine”. Piece by Piece is an EP that’s like looking through the contents of someone’s cracked and peeling moving boxes shoved behind the boiler in a basement. A few of those memories may be buried back there for a reason, but the years have finally said it’s time for them to breathe and be set free.

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Those years seem to fly by in the span of these mere minutes, and close with a brightly harmonious beauty for having shared them. Piece by Piece makes yet another case for records that speak as complete stories instead of just in fragmented singles that can be bought for $0.99 on iTunes. You may appreciate the radio-friendly lift of the chorus on “Light The Way” or the infectious six string melody of “Forever In My Hand”, but when albums or EP’s speak like this, I feel as though they speak closest to their heart… when they speak together.

Don’t just listen to one part of what Megan Talay has to offer. Go “piece by piece, inch by inch”. Let her mixture of folk/pop and lovely lyricisms get under your skin.

I promise that it’s worth the journey.

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As you can see, Megan’s EP is coming out this week! You can go pick it up on her Bandcamp, and go check out her Facebook page Talay for much information about shows as well as this release! 

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