Pop rock roars with life on smashing “Talay”

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Break out your headphones or roll down your windows, because one of the most anthem-filled EPs of 2017 has arrived.

And its made its way to the world in the form of Megan Talay’s 2nd album, simply entitled Talay. If that (self-titled) album title is meant to indicate a greater ownership of the sound of these songs, it leaves one hell of an impression burning in its embers.

While Talay’s debut Piece By Piece was certainly a strong beginning start, it was more of a creamy Ani DeFranco center surrounded by an acoustic coating. Talay instead rips up that formula and replaces it with spastic electric guitars, brilliantly cutting, lip curled like a punk rock heroine lyrics, and a sense of constant crowd-surfing spirit thats more than worth a few stage dives.

Talay is essentially the all night party living next door to a rave. Even the initially-drifting “I Hope Your Band Goes Nowhere” groundswells into a belting riff-roaring growl of taunting defiance against a douchebag ex-boyfriend (maybe the same charming percussionist from prior romper “Drummer of the Band”). The album fluently demonstrates Talay’s proficiency for early to well into the-2000’s pop rock, embodying the guitars of Prince’s final all female band 3rdeyegirl and the vocal twistings of a revival straight out of Josie & The Pussycats or The Runaways.

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Talay manages to channel the heart and earworm choruses of those girl power outlets into one of the best rock EPs of the last several years. And not because it requires the technical proficiency of a Fleet Foxes album being reviewed by Pitchfork. Music is not a complex animal that requires a thesis statement.

Sometimes, the best music is all about feel. And Talay has it all the way to her “Parent’s House” and back again.

Grade: A

Songs To Download: “Parent’s House”, “I Hope Your Band Goes Nowhere”, “City”

Listen Here: http://www.talay.bandcamp.com

Talay brings alt-punk jamfest to “Parents’ House”

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I was first introduced to Megan Talay’s music over a year ago when her Piece By Piece EP landed directly in my lap courtesy of Megan herself. The New York City-area singer-songwriter immediately had all the earmarks of well-honed acoustic pop with a hearty dosage of capable songwriting to back it up.

And while I was a big fan of Piece by Piece at the time, there was a part of me that was looking to see more from Megan. Like that wasn’t the entire picture fully formed just yet. And eventually I began to see more the more I followed her work, though what eventually riveted me the most was anytime Talay touched an electric guitar. Whether it was jamming out to Prince or punk, the girl had some serious shred skills that didn’t quite manifest themselves on the quieter songs. I began to listen for more Joan Jett instead of Ani DeFranco.

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Then along comes Parents’ House, Talay’s latest single and what feels like a wish granted. Inside are plenty of well-muscled electric guitar workouts bumping and grinding off one another in what feels like a bounce house battle between Weezer, Green Day and prime Avril Lavigne with just a dash of No Doubt-era Gwen Stefani. From a lyrical perspective Parents’ House feels straight out of the River Cuomos section of tongue-in-cheek with its nod to the struggle of the average millennial still living at home with their parents. I know I had to nod along with more than a few of the comparisons, and even though living at home is quite common these days I felt like it was a genius topic for a song that’s SO easily relatable.

Parents’ House is not only an addictive party banger of a song, it has hooks for miles in a Buddy Holly-esque runtime of righteous girl power that will feel over before it even begins. In a time of so much serious, this is pure unadulterated happy and we need that not only for rock n roll’s sake, but for the sake of our sanity as well.

Go pick this one up. You will NOT regret it.

Grade: A

Listen to the new track below!

https://myspace.com/article/2017/3/7/talay-parents-house-premiere

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