And so we reach, the final number…

Of 2017!

It ended up getting here a bit later than I intended, but below you’ll find my final installment of the Top Five Albums of 2017!

This time Lee and I were joined by another one of our radio crew Michayla Savitt, who added an excellent selection to wrap up this year’s coverage!

My notes…

Julien Baker’s Turn Out The Lights hit my musical landscape like a gradually evocative wave this year. While initially in the midst of a pack of strong releases, Baker broke out further and further based on one simple fact: Lights may be a slow burn of a listen, but once it takes off it is flooring.

Baker isn’t just an artist whose brush is especially skilled at painting in the darker palettes either. Rather, she’s a highly underrated markswoman of a lyricist who hits profound lines in a way that requires listen after listen. If for nothing else but to truly absorb the beauty in what sometimes feels like ultimate despair.

Lights certainly isn’t a record containing the high level thrash of Queens of the Stone Ages’ latest or the righteous rock of Jason Isbell’s The Nashville Sound. It is slower and MUCH heavier (more of the morning after than the main event), but its brutally honest to the bones and Baker isn’t afraid to let her vocals fly out in pursuit of a catharsis to the pain of emotions expressed in songs like “Appointments”, “Shadowboxing”, and “Hurt Less”.

One of music’s great gifts is the ability to make us feel, especially through the rare talents that show up to turn that little bit of skilled craftsmanship they’ve figured out into a shivering, slightly indescribable chill running down your spine. Thats when you know you’ve found something more… something extra you need to slow down for because otherwise you might miss the next best thing.

Welcome Julian Baker. I’m more than proud to close by 2017 on you.

Advertisements

It’s (almost) the end of the year as we know it…

And I feel fine!

Well not really, but when it comes to thinking about the music of 2017 it certainly helps a lot! Once again from my realm on the radio at WHCU, Lee Rayburn and I continue to investigate and compare notes on our top 5 favorite albums of the year.

For this mini-episode Lee and I examine our #4 choices on the year, which was his selection of Sharon Jones & The Dap Kings with Soul of a Woman, and mine with Queens of the Stone Age and Villains. Listen below:

My album comments…

Having been a more recent fan of Queens since coming onboard during the Like Clockwork era, perhaps that made 2017’s Villains a more palatable experience for me than most. With tight production from Mark Ronson and the band’s willingness to openly excavate what they openly referred to as a more “dance-based” sound, songs like the punk headbanger’s ball of “Head Like a Haunted House”, the Zeppelin-y smash of “The Evil Has Landed”, and the gristle-blues stomp of “Domesticated Animals” ring with a clear and decided sense of purpose.

Purists may continue to ruffle their feathers and not be satisfied with this one, but Villains really hit the spot for me this year and made for a great rock record. It didn’t possess any need for grand ambition, rather, it let the best parts of its catchy melodies and snake-like hooks do the talking, and Queens did the rest.

The controversy towards the end of the year involving Josh Homme kicking a photographer definitely took some of the wind out of the sails of my praise and knocked this ranking down a bit, but I still recommend giving Villains a spin to find out for yourself.

Powered by WordPress.com.

Up ↑